Posted at 17:07h
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by KingSuzy
🎨 It was a “patchy” year for me I guess. A bit great, a bit not so much.
This was a year for the Australian Wooden Boat Festival so I did some research on rare Tasmanian timbers and some
of the old boats of the 1900s. The timber story is truly fascinating!
And the boats were beautiful, and hardy. Some still floating, many being faithfully restored and given new life.
My painting for the festival, Huon Ladies was based a very small b&w image taken in Dunnelly c1908. Challenging! I’m not happy
so I will revisit that work in 2024.
🎨 I was invited to paint boats racing on Sydney Harbour, based at the Royal Sydney Yacht Squadron in Kirribilli a few years ago.
The work was auctioned to raise money for Stepping Stone House. Self funded, SSH supports young people facing homelessness
due to poverty, family violence & inequality. In 2023, we changed that a little bit. A Certificate was auctioned and the lucky winner
gets a painting of their own boat. Keen sailors are hard to catch!
They are always away sailing somewhere, but the “study” is finally approved and we are on the way to a very nice painting! Stay tuned!
🎨 In March I entered a major landscape prize, sadly I bombed out on that one, with a very bruised ego. Never mind, we move on!
After that, here were some commissions, some new very small works, a couple of online exhibitions, then a new collection for the Moree Gallery.
🎨 I was selected as a finalist in the 9×5 Waverley Woollahra Landscape Prize which was great! Two Paintings too!
🎨 The Australian Society of Marine Artists (Marine Artists Australia) National Exhibition was held in Melbourne this year.
I entered two paintings, and won the Curator’s Choice Award (such a compliment that a great marine artist selected my work!),
and the work sold as well. Very happy was me!
🎨 I’m very excited to say that the Moree Gallery has already sold almost half of the new collection!
That’s it for 2023.