16 Oct MTSV Maritime Art Award -Thrilled Twice!

I’m very excited that my work Rarely Seen & Dangerous has been selected
as a finalist in the Mission to Seafarers Maritime Art Award of 2020.
This is the fourth time I have been selected in this award – so I’m feeling very lucky!
This year there were 200 entries, of which 107 were selected as finalists. As this exhibition stems from Victoria,
it’s solely an online exhibition, as was the presentation night. All went smoothly.

The winners were announced last night and I was Highly Commended for my work!

Thrilled for the second time – and a wonderful surprise for me, as I have never received one of these before!
This painting now has even more meaning in relation to the work that The Mission do, because I have since learned
that the sailor sitting in the Bosun’s Chair has been stuck at sea for 11 months, like many seafarers now languishing
in limbo due to Covid. They can’t crew change and it’s becoming something of a humanitarian crisis.
The good news is his ship sailed for Australia yesterday (award-night) and is swinging by the Philippines
to crew change, as they can’t fly out of anywhere.

The exhibition continues until 25 November.  See the exhibition here.

Rarely Seen & Dangerous 2020. Oil on canvas. 91x71cm.    “When work was completed and the man was being lifted up by his crew members, the lifting rope suddenly parted. As he fell, his lifeline detached from the ship side railing and he disappeared into the water…”
(Highly commended: MTSV Maritime Award 2020)
Available from Mission to Seafarers Victoria.

10 Oct A Balmain Beauty is for sale

Seen today in the Mansion supplement of The Australian.
A piece of Balmain history!

The Convent of Immaculate Conception was designed by pioneer architect Edmund Blackett
in 1876. Considered to be the finest example of Gothic Revival in Sydney’s Inner West, it housed 30 borders and 10 nuns.
How different life must have been back then!

A couple of years ago, the owners commissioned this painting of 9 panels showing details of their
magnificent property and the surrounds. I’m so happy to see my work still prominently fixed to these walls!
But at the same time, I’m sad to say goodbye to the current owners. I’m so lucky to have a wonderful group
of supportive clients who keep returning to collect my work – it’s a huge compliment for an artist.
I feel very proud, and humbled.

07 Oct Seas of Change Annual Exhibition

This exciting show presents the best of Australian marine & maritime art
by members of the Australian Society of Marine Artists (ASMA).

It’s the Annual (National) Exhibition showcasing paintings and sculpture, contemporary
to traditional and everything in between. I have two paintings featured in the exhibition.
The show opens on 9 October – but if you can’t get there – you can see the whole exhibition on facebook.
All works are for sale – and purchases can be made directly from the Royal Art Society Gallery.

Seas of Change
9-25 October 2020
Royal Art Society Gallery / 25-27 Walker Street North Sydney 2060
02 9955 5752 / lavender@royalart.com.au

22 Sep Three sold already!

A new collection of 12 Facades & Power Poles are just finished.
33 x 33cm each, oil.

The 3 you see here are now sold but 9 are still available, some from the Moree Gallery and a few from me.
The price is the same, and the Gallery provides complimentary shipping (within Australia).
(These are last ones for 2020)

I’m interested in ‘looking up’ – and the way light, shadow and texture reacts with my subjects
against the open sky above. Often these are old architectural facades, remnants from another time,
and wooden power poles with their complex tangles of wires – details that are seldom noticed.

It is not about history or preservation – they’re contemporary views recently observed, some
from suburbia and some from country towns – either way you can’t help wondering what
stories they could tell.

19 May White Bay SOLD

White Bay Power Station 76 x 228cm, oil (triptych).

One of inner Sydney’s most significant industrial sites and the longest serving
power station, it once marked the gateway to Balmain’s bustling industrial
waterfront. The power station was finally abandoned in 1983.

The brickwork facing Robert Street (the subject of this work and the most interesting
side of the building) is typical of the Federation Anglo-Dutch architectural style –
when lit by the sun at certain times, this face reveals a myriad of rich burnt ochre
and yellow colours. I have been painting various views of it since 2008.

12 Feb Marine art – two maritime paintings sold!

I’m so happy to say that two of my maritime paintings have sold – in just one week!
One sold in Hobart at the ASMA National Exhibition at the Maritime Museum, and the other
directly from my Balmain (Sydney) studio.
Who said maritime paintings don’t sell? Some poor misguided soul… (or maybe I was just very lucky!!).
Either way, there is nothing more motivating for an artist than a sale.

The money is important of course, but much more than that, we artists generally
(well, I sure do) have rather delicate egos. You might laugh, but think about
Vincent van Gogh, Mark Rothko, George Ault… and so many others.

We artists work hard, often alone, no one responds. So we think, ‘they hate my work’
‘I’m wasting my time’, and precious materials,’what’s the point’ and so on.
A sale totally changes things. Even a tiny sale. Because someone has responded to a painting
you have created, enough to part with their money (commitment) and hang it on their wall (love).

Then there’s the subject of maritime art…
Sometimes it’s not so popular, but I think that’s because the name alone conjures up
images of dusty, stodgy and dark old paintings in heavy frames.

But it really isn’t that way today. Contemporary artists produce beautiful drawings,
watercolours and pastels, they paint sails in sunlight, details and close ups of reflections & ropes,
lighthouses, docklands, the crews or just the ocean and waves.
It’s worth taking some time to view a maritime exhibition –
there’s so much more to see than you might think!

25 Dec It’s Christmas!

Well, 2019 is almost done and dusted!
The close of 2019 has been so tragic for many, smoky and dusty for the rest of us.
Not a happy end. And sadly it looks like the holiday season will continue to be smoky, windy and dry.
But it will pass, and we are entering 2020 – the start of a brand spanking new decade!
Twenty twenty, it even sounds good. (Remember when it was two double oh one?
That sounded so awfully messy!). 
Here’s to 2020! A new beginning and the best year ever, for us all!

18 Dec Some commissions from 2019

2019 has been an amazing year for me – because I have had so many commissions.
Mostly local, but a few interstate and even a couple from overseas!
The thing about a commission is that sometimes it’s not what I usually paint, the location
is often quite different and I have to work to a specific size. A combination that can be sometimes
quite challenging, but the flipside is that it can force me to look at things in a different way –
which is a great way to explore new ideas and continue to develop as an artist. Excellent!

23 Nov ASMA 2019 National Maritime Exhibition & ‘Tribal Warrior’

I am thrilled as an exhibiting member of the Australian Society of Marine Artists (ASMA) to be part
of this important exhibition – presented in the historic Carnegie Building, home to the Maritime Museum of Tasmania.
The exhibition coincides with the 75th anniversary of the Rolex Sydney Hobart Yacht Race. 

Many of the 59 artworks reflect the history of the famous yacht race from humble beginnings in 1945 to the highly
sophisticated technology of today’s boats. Of course there is other marine art as well, so this is an exceptional show
and well worth a trip to Tassie. And all paintings are for sale.
The exhibition opened on 15 November and continues until March, when Hobart may be a little bit quieter!

Tribal Warrior:
170 yachts are competing this year’s Sydney Hobart including entries from Australia, Europe USA and Asia.
But the entry of particular interest to me in this race – is the first ever Aboriginal & Torres Strait Islander crew
with Tribal Warrior, a Beneteau 47/7.
I have a painting in the ASMA exhibition called Blackwattle Bay, which features the ketch, Tribal Warrior.
My Tribal Warrior was originally a pearling lugger working the treacherous waters of Australia’s far north… and still working,
but today she is owned by The Tribal Warrior Aboriginal Corporation and used to train Aboriginal youth to attain their
Master Class Maritime Certificates… so she’s gone ‘full circle’ as they say.
The Beneteau crew may well have started their sailing careers on my Tribal Warrior!
A very nice tribute to give the name to the Beneteau too. All the more reason to see this exhibition! Everyone is welcome.

Carnegie Gallery
Maritime Museum of Tasmania
16 Argyle Street Hobart
Exhibition dates: 15 November 2019 – 22 March 2020
9am-5pm daily (ex Christmas Day)